releases

Slightly spastic electronic piano improvisation cut from a session recorded in 2011. Released in 2022 due mostly to heavy procrastination.

A psychedelic and dissociative collage of improvisations melded, reformed, and cut into cohesion. This is a culmination of years of work, with a range of tonal styles from valleys of soft, plush sound to sharp mountain peaks of noise freakouts, taking influence from free jazz, noise, no wave, glitch, and a wide range of texturally and rhythmically radical (non-)musics.

Four tracks of hip-hop sliced, shuffled, and scattered into nega-juke, avant-breakcore, and/or other (non-)genres. All tracks were performed/programmed in real-time in SuperCollider with varying degrees of improvisation. All tracks appear in their raw (unedited) form with the exception of track 4, which is a pared down version of the original recording.

Album cover and additional artwork were coded in Fluxus.

Two tracks of automatically-sequenced algorithmic acid created in Pure Data.

Dedicated to Jerry Holtz.

The fourth album from Ostensibly Ossified, Shitfest 3090 is THE album you've been waiting for. Finally, all of your favorite artists were thrown in a blender and violently murdered, their gory goop poured into a pan and baked to perfection, then digitally scanned and uploaded straight to bandcamp in the very finest FLAC. Hey, I just met you, and this is crazy, but download this album, or else I might blend you too.

Cash Extraction Mechanism is Ostensibly Ossified’s 3rd album, released March 5th, 2014 with Glitch City. It’s a "true" internetcore release, probably OO’s most diverse and deep work yet. Download it please, I'm beggin' ya!

A few of the highlights:
- An OutCast remix featuring performances by espeak, the text-to-speech program, and a punk rocker with a really dry and sore throat.
- An algorithmix of a once-(and still?-)popular Black Eyed Pees track
- OO’s first ever dark and creepy "ambient" track
- Internetcore beats featuring a John Madden (impersonator)’s stuttering and Sonic hitting the nail on the head by saying “NO COPYRIGHT LAW IN THE UNIVERSE IS GOING TO STOP ME”
- Plenty of obnoxious loudness that fans of punk music will hate, and fans of everything else will also hate.
- A track about money, because this is supposed to be some sort of concept album, I guess.
- Stretching, shrinking, incredible remixes of artists such as Alice Pooper, Gorillas, Stink Floyd, John Cage Against the Machine, etc.

Interlaced split release between Krovo and DJ Funny Powers. DJ Funny Powers continues pioneering his "cyberfunk" style of experimental electro, while Krovo debuts "micro", consisting of beats bent and twisted into angular shapes that lie somewhere between no wave and glitch. For Krovo, this release is notable for being the first one since Skk that was composed entirely in software.

Krovo's fourth album continues the project's traditional focus on texture, but this time exploring atmosphere and structure as well, with many tracks abandoning traditional forms without settling too easily into any easily definable style. It combines influences from electro-acoustic improvisation, noise, glitch, drone, and no wave into something entirely else, with periodic tangents back into regular electronic music configurations. The album is meta-conceptual in that it's a sequence of micro-concepts, each track effectively a sound world of its own.

Five tracks of improvised electro-acoustic works made accidentally during bouts of heavy depression. Rejected by several netlabels, but uploaded anyway. Recorded sporadically in 2011-2012.

A split release between MushroomWavved Collar and Ostensibly Ossified. MushroomWavved Collar supplies a set of trippy screwgaze tracks, while Ostensibly Ossified continues their usual aural shitpost plunderphonic experimentation.

Krovo's sixth EP, Null is an exploration of dark, glitchy, and mechanical-sounding textures, rhythms, and assorted weirdness.

Ostensibly Ossified presents all your very favorite hip-hop and rap, like you've always wished they sounded! All four of them! We urgently urge you to listen to them, or else, even though they have nothing to do with anything.

Previously unreleased tracks from a split whose other side was never completed. The season of winter and feelings of depressiveness were the inspirations and theme of this release.

A whirlwind of noise ranging from a meditation on sunlight, to tides and washes of feedback and distortion.

Another stylistic break from the first two, Krovo's third album focuses on a specific method of sound generation which was inherently unstable and inharmonic. Because of this, this album is much harsher than the first two, putting it firmly within glitch territory. However, underneath the layers of digital chaos, open-minded listeners can find shapes forming themselves into grooves and broken oscillators that cycle into organic fields of noise. The album creates dualities out of extremes, projecting nature into the digital, and life into the inanimate.

Ostensibly Ossified presents all your very favorite rock music from the 70s, 80s, 90s, and 2000s, like you've never heard them before! But only four of them. Find out just how cwazy they can get!

An instrumental concept album about nothingness and the secrets that lurk within shadows.

Krovo's fifth EP serves as a "spiritual sequel" to the Find EP. Its songs evolve and transform, yet remain coherent. Sounds glitch and skip, yet remain melodic.

Krovo's fourth EP consists of rearrangements of material from Senkyder, slowing the tracks into deeper, darker versions. Track 3 is notable for being a fusion of the tracks Medio and Tuls, while track 1 has altered lyrics.

Oktrans is Krovo's third EP. Conceptually, the release is about autumn, its sounds designed as auditory equivalents to the colors and textures of the season. Inspiration was drawn from breezes blowing colder, leaves changing color, nights becoming darker, and woods becoming quieter. Track 3 is a concept of its own: it's about a forest that becomes engulfed in flames.

Krovo's second EP followed shortly after the release of the second album. The songs on this release were more focused, each one having its own specific idea explored throughout the course of the track. With the exception of the last track, these songs are much more fun and lighthearted than previous works. Track 2 is one of the few Krovo tracks made on sampler hardware instead of synthesizer hardware.

Krovo's sophomore album moved away from the first album's musique concrete style, as synthesized sounds became the main musical ingredient. In fact, the entirety of this release was made using only one synthesizer, which would become the primary tool for the next several Krovo releases. Despite this, Senkyder spans a wider range of genres, from noise rock-inspired works such as Syonn and Izyae?, to traditional electronic as on Mega and Toxre, to dark ambient on Lowsetir, to the heavy distorted power noise of Mesk and cruSH. It was also notable for being the first conceptual album from Krovo, as all following albums and many EPs would continue this practice, focusing on concepts of their own.

Stimulant-fueled fast and abrasive power electronics session.

Trashy hardcore techno hastily produced in 2009, left unreleased until 2023.

Ostensibly Ossified's debut album, a mix of plunderphonics, sound experiments, and early prototypes of the internetcore style.

Krovo's first EP was released after the debut album, inverting many of the properties that had been established with it. Noiser creates as much antistructure as Skk creates structure; Noiser is as harsh as Skk was soft. The last three tracks were performed entirely in real time, with the last track being the most extreme in this regard, as it is fully improvised on a single synth patch, producing a surprisingly wide range of tones and accidental rhythms. This type of patch would be revisited later on Krovo's third album, Xyko.

K-PDT: Eirkora is the first and only compilation put out by the K-PDT netlabel during its life. It features a diverse sampling of original tracks created specifically for the release by artists and friends of the label. Its content ranges from instrumental hip-hop to experimental electronic, (power) noise, and drone.

Krovo's first release, Skk signified the artist's turning point away from reliance on presets and towards a focus on original and more creative sounds. This release was also the last fully software-based release until krxl/Qbd, as following releases primarily used various forms of hardware. Stylistically, the music sits at a crossroads between semi-melodic musique concrete and industrial-esque rhythmic noise. The sound is heavily texturally experimental but retains most other traditional musical sensibilities.

The first Nature Circuit release, consisting of two tracks made by layering multiple recordings of homemade noisemakers.

The final Kyn3ticXR release; a short, single track dedicated to Matthew Shepard.

An EP venturing into Plastikman-inspired minimal techno.

A collection of the entire surviving output of the Mütex project (other than the Fraq single, which was released separately, and the "HJB" track, released as part of the K-PDT: Eirkora compilation). Most tracks are around a minute in length, with a few outliers, but all of the tracks are extremely low bitrate and lo-fi, having been recorded simply by placing an mp3 player directly on top of a keyboard's built-in speaker.